 |

 |
kradical | |
 |
 |
 |
 |
|
 |
 |
SFWA has investigated, and decided to let the script for the Star Trek: New Voyages fan film "World Enough and Time" stay on the Nebula Ballot for Best Script.What I have learned from this is that SFWA blithely put the words "professionally produced" in the guidelines for Best Script without having a clear notion of what that means exactly -- and the discussions that have burst out on the subject on this LJ, on pnh's LJ, on SFF.net, in the SFWA community, and every-damn-where else indicate that no else has a clear notion of it, either. As far as I'm concerned, the ballot issue's closed. The only thing I want to add is that in my original post on the subject, I was lamenting the fact that tie-ins have hardly ever been able to sniff the prelminary ballot, yet a fan film has made the final. This wasn't me saying SFWA is a bad organization because of that, it was simply lamenting the state of affairs -- and yeah, me whining a little. But I intend to see what I can do to address the disparity through action rather than Internet whining (radical, I know....). Personally, I think that CBS/Paramount's "tacit approval" is a dubious criterion to base this on, and seeing an organization that supposedly values the protection of copyright and trademark use that is disheartening. On the other hand, if CBS/Paramount can't be arsed to protect it, it's hardly SFWA's job to do so. So whatever. It's done. My intention, however, since I started this mess, is to sit down and watch, in succession, "Blink," Children of Men, The Prestige, V for Vendetta, and "World Enough and Time" and review them on this LJ. Since SFWA has deemed that they be measured against each other, that's just what I'm gonna do -- in March some time, once I'm past Ghostwriting Project #1. (I have Children of Men on the DVR, V for Vendetta and "Blink" on DVD, and I will have "WEaT" on DVD soon thanks to one of the scriptwriters. I just have to track down The Presitge. Edited to add: Now have The Prestige on the DVR, too.) Current Mood: busy Current Music: "Gervais" by Sarah Lee Guthrie & Johnny Irion
|
 |
 |
 |
 |
|
 |
 |


 |
 |
 |
 |
 |
 |
 |
From: jslinder |
Date:
February 28th, 2008 04:24 pm (UTC)
|
| (Link) |
|
|
Okay, its not Blink (which would get my vote), but as compared to what has passed for recent Star Trek televised scripting (Enterprise, Voyager), WeAT as a SCRIPT was pretty decent. The plot made sense and I actually got into the characters a little (more so than I ever did on Voyager). In my opinion, it does rise a little above the level of a 'fan film'.
I'm not addressing the eligibility directly, other than to say that if something is vaguely constrained, one should generally err on the side of permissiveness in such matters, and it seems that is the case for this year. The 'loophole' can be addressed for next year.
Keith, since you probably know, in general, how do sales on an average tie-in novel compare with sales of the average (not Neil Gaiman or similar) stand alone SF novel? I ask this as it could either provide ammunition or a damn hard point to overcome in terms of getting tie-in novels on the ballot in some form. (Personally, I thought the nebula's should have more specific categories, then a general 'best in show' category)
|
 |
 |
 |
 |
|

|
 |
 |


 |
 |
 |
 |
 |
 |
From: sorek |
Date:
February 28th, 2008 07:38 pm (UTC)
|
| (Link) |
|
|
I'm not a writer, nor do I play one on tv, but to me, the nomination criteria should use the same reasoning you use to say you've never written fan fiction.
You got PAID to write your stories. People had to make a conscious decision to BUY your stories. As you've previously said you have to cater to a much broader audience than fan fiction.
Having said all that I haven't seen WEaT. I downloaded the first couple minutes of the "pilot" New Voyages episode, and turned it off after a couple of minutes. As good as the set was, the acting prevented the willing suspension of disbelief.
Blink will probably win anyway, although on some level I resent the episode. Yes it was an incredibly emotional episode, but it had plot holes larger than the TARDIS interior. Also, by focusing on non regular characters, you don't have to deal with any emotional issues in next week's episode.
I think of it as a better version of "Love & Monsters"
|
 |
 |
 |
 |
|

|
 |
 |

|
 |
|
 |