Ronald D. Moore has posted his ruminations on the
Star Trek franchise on
his Battlestar Galactica blog, and it's all well and good until we get here:
Star Trek now returns to the care of its fans and its fans can decide for themselves what kind of experience they want to have during this next interregnum. They can consume the seemingly endless licensed products available to them from the Franchise, everything from barware to shower curtains, and read only the mainstream, officially licensed and sanctioned books, or they can go their own way.
The very strong implication in this paragraph and what follows is that the Pocket Books novels are bland fare not produced by fans of the show. Speaking as someone who's made most of his living writing those things since 1999, and someone who works with and is friends with a good chunk of the other people who do likewise, I take serious offense at this on behalf of myself and my colleagues.
You want to see the biggest, geekiest, most joyous group of
Star Trek fans in one place? Go to the
Shore Leave convention in July and find the corner of the bar where the authors are. You'll see over a dozen of the regular
Trek novelists participating in in-depth discussions, crazed ideas, rampant speculations, radical story notions, and more. Hell, one of those bar discussions prompted a
major development in the
Star Trek: S.C.E. series of eBooks featuring the Starfleet Corps of Engineers that have been published monthly for over four years.
I'm sure that Moore is wholly unfamiliar with the novel line, as I'm sure he doesn't have time to read the novels based on a TV show that he pretty publicly divorced himself from, and what with
Roswell, the abortive
Pern series,
Carnivale, and
Battlestar Galactica, he's been a little busy since he left
Voyager in a huff anyhow. In fact, he likely stopped reading the novels after he joined the
Next Generation writing staff in 1990. If that's the case, his last memory of the novel program is during The Dark Times when Richard Arnold pretended to speak for Gene Roddenberry and ordered all the novels to be homogenous and uninteresting and hew to a formula. Those days, however, are
loooooong gone.
Moore probably hasn't read
The Lost Era series that ambitiously filled in the 70 years between TOS and
TNG; or the post-finale
DS9 novels that have moved the
Deep Space Nine saga forward beyond "What You Leave Behind" in the tradition of the series; or the post-finale
Voyager novels that have done likewise in the wake of "Endgame"; or the
New Frontier, Stargazer, I.K.S. Gorkon, and
S.C.E. series that have given us new crews not based on any specific show, and succeeded quite admirably (the
Gorkon series in particular building on the fine work Moore did with the Klingon species on
TNG and
DS9); or the impossible-to-do-on-TV crossovers like
Invasion!, Day of Honor, Captain's Table, Double Helix, Gateways, The Brave and the Bold, and
Section 31; or the big-ass
A Time to... nine-book miniseries that set up
Nemesis; or the short-story anthologies like
Prophecy and Change, The Lives of Dax, Enterprise Logs, and
Tales of the Dominion War that have expanded the
Trek universe; or the extensive world-building going on in novels ranging from
Spock's World and
The Final Reflection to the current
Worlds of Star Trek: Deep Space Nine miniseries and
A Stitch in Time; or the nontraditional narratives like
The Case of the Colonist's Corpse (a Perry Masonesque novel featuring "Court Martial"'s Sam Cogley, down to the red dye on the spine and the 60s-style cover),
A Hard Rain (a Dixon Hill story done like an old-fashioned Ellery Queen serial),
The Eugenics Wars: The Rise and Fall of Khan Noonien Singh (the full story of one of
Trek's best villains, taking place almost entirely in the 20th century), and the upcoming
Articles of the Federation (a
Star Trek version of
The West Wing).
I'm also sure that Moore didn't mean to demean, insult, and denigrate the legion of
Trek authors who are very much fans of the material, who grew up with the show just like he did, who read the fanzines and bought all the merchandise when they were kids just like he did, and who are thrilled to be working on
Trek now, just like he was in 1990 when they bought "The Bonding" and put him on staff.
But by putting us in the same sentence with the shower curtains, he did just that. And I find that disappointing from a writer whose work I have been admiring since "The Bonding" hit the airwaves fifteen years ago.
We're fans, too, Ron. Just because you went the TV route and we went the prose route doesn't make your fandom more real than ours.
And for those of you who think that the novels
are the same as the shower curtains, I urge you to sample a
Trek book. Pick up one of the
Worlds of Deep Space Nine books or my next
I.K.S. Gorkon book, or Greg Cox's
To Reign in Hell, which details Khan's time on Ceti Alpha V between "Space Seed" and
The Wrath of Khan, or the
DS9 novel
Unity by S.D. Perry that was as powerful as any two-part episode of the show (and I
don't say that lightly), or the short-story anthology
Tales of the Dominion War that showed what the rest of the
Trek universe was doing during the final two seasons of
DS9. You'll be pleasantly surprised.
I'm also posting this to the
Galactica BBoard. Be curious to see the response.....
Oh, and read
terri_osborne and
bill_leisner's LJs to see that I'm not alone in this. *wry grin*
Current Mood:
grumpy
Current Music: "The Work Song" by Kate & Anna McGarrigle