 |

 |
kradical | |
 |
 |
 |
 |
|
 |
 |
I have to admit to being somewhat disappointed with this movie, especially after hearing so much praise for it. Yes, it's better than either of Joel Schumacher's films, and it's more focused than either of Tim Burton's, and it's certainly better than the camp-fest William Dozier gave us in the late 1960s (though that version is excellent for what it is). But there's already been a movie that dealt with how Bruce Wayne became Batman and how he dealt with the early days of his career, and even had a love interest from his childhood. It was called Mask of the Phantasm, it was an animated feature released in 1993, and it's superior to Batman Begins in almost every sense. This is not to say that BB is a bad movie, but it's not a particularly great movie, either. It's about half an hour too long -- I was looking at my watch as we got into the home stretch -- the action! filled! climax! is way too over the top, and the fight scenes are abysmal because Christopher Nolan decided to follow the same bad example of his two predecessors and use incessant jump-cutting during fights so you can't fucking tell what's happening! Katie Holmes has come in for a lot of flak, and it's not entirely fair to her -- she does the best with the material she's given. The problem is, a) her storyline has little to do with the rest of the movie, b) her character feels tacked on in order to get The Love Interest, because all big Hollywood movies must have The Love Interest, even though Batman isn't a character that's at all suited to having one, c) if they had to give Bats a romance, why not have it be with Ra's al-Ghul's daughter, since they were already using Ra's anyhow, and that would give more meat to the romance, d) her part in Bats' life was taken in the comics by Harvey Dent, and if it had been Harvey Dent, it would've been almost exactly the same (okay, except for the kissing). Christian Bale is an excellent Bruce Wayne, but his Batman sneers and snarls too much. The scene where he interrogates a corrupt cop is just embarrassing. The rest of the acting is stellar, though, and a lot of why the movie does work at all is because of the truly magnificent performances by Morgan Freeman, Michael Caine, Gary Oldman, Liam Neeson, and especially Cillian Murphy as Dr. Jonathan Crane, a.k.a. the Scarecrow. Still, I can't help but think that Mask of the Phantasm did this all better. For starters, Kevin Conroy's voice remains head and shoulders above anyone else who has done Batman on the screen (he's still doing it on Justice League). In addition, the love story was far more compelling, the villain was stronger (Mark Hamill as the voice of the Joker is the best comic-book villain ever realized on screen), the Batmobile looked better (honestly, that monstrosity in Batman Begins made me want to spew), the gangsters were more convincing ( BB's weakest performance was probably from the dull-as-dishwater Tom Wilkinson as Falcone; Phantasm used the vocal talents of Abe Vigoda, Dick Miller, and John P. Ryan to play Valestra, Sol, and Bronski), the climactic action sequence with the big splosions looked better, and the big reveal was an actual surprise. (Okay, this is something that will only apply to anyone who reads the comics. They gave Liam Neeson the exact same funky beard that Ra's al-Ghul has in the comics. So it wasn't even a little bit of a surprise that "Ducard" was really Ra's. For folks that don't know the comics, this is an irrelevant concern, but why blow your reveal like that to at least part of your audience?) Don't get me wrong, there's a decent movie in there. But it's not the best Batman movie. It's not even the best Batman movie with this plot. Current Mood: disappointed Current Music: "Sweet Fire of Love" by Robbie Robertson
|
 |
 |
 |
 |
|
 |
 |

 |
 |
|

 |
 |
 |
 |
 |
 |
From: neadods |
Date: June 21st, 2005 12:33 pm (UTC) |
| (Link) |
|
I'm also one of the few who doesn't consider MotP to be the best thing since sliced bread
Neither do I, I'm afraid - it has some fun moments, but I found the ending to be a disappointment. Because it was a cartoon they had to pull their punches - and what is WITH her just wandering off to brood forever at the end? That felt like a huge dangling thread to me.
Given the choice, I'll go with Batman Begins over MotP. You get a better sense of a Gotham gone wrong in BB, and that there are other people who are trying to save it.
I am, I think, the ONLY person who likes the new Batmobile. This is a useful vehicle; the sight of all other Batmobiles have always keyed my subconscious into playing Da Vinci Notebook's "I've Got a Big Enormous Penis" song.
still rank BB: Return of the Joker at the top of the list
Oh, tough choice. I adore the uncut Return of the Joker, but being inherently more frivolous I also get a huge kick ot of the boiling testosteronefest that was the Batman Superman crossover.
That Kevin Conroy, weedy though he be in person, kicks all kind of Batman booty over any other actor - THERE I'm solidly with you. But then, one of the attractions for the movie for me was that there were things that "felt" like I was watching the animated series or JL.
|
 |
 |
 |
 |
|

 |
|
|  |
 |



 |
 |
 |
 |
 |
 |
 |
From: hol_man |
Date: June 21st, 2005 02:48 pm (UTC) |
| (Link) |
|
Having seen a few minutes of the new "The Batman" cartoon, I honestly think it stinks. It tries too hard to make Batman "cool," not realizing that he's cool already. I get a real vibe from that show that they're trying to turn him into Wolverine-lite.
Mask of the Phantasm, while good, has nothing on Batman Begins, I think. First of all, I really hated the complete lack of explanation for the Phantasm's phantasmic powers. Second, because they weren't limited to a PG-rating, Batman Begins didn't need to shy away from showing a more true Batman: kinda insane, in a very focused way. While I love the animated series and it will always be how I first picture the character, Batman Begins does a better job.
Yes, I don't particularly like the idea of Batmobile-as-supertank. But I think it works well in terms of "this is a car that fits his needs that he was able to get already made." Should a sequel happen, I'd hope to see a Batmobile that more closely resembles any of the sleek models that have been shown before.
I liked that the obligatory love story *didn't* wind up with him getting the girl. As you say, Batman doesn't really work with a love story. (Except for Catwoman...) And I did like that Rachel was more than just the get-captured-and-scream love interest. To me, she did have an important role in helping save the day both on the large scale (getting the antidotes to Gordon) and the small scale (protecting that boy).
I agree with all assessments that the fight scenes could have been shot/edited better to be more coherent, but to me that was the most glaring flaw.
Well, that and no one beats Danny Elfman's 1989 Batman theme. Then again, I think this movie was deliverately avoiding a rousing superheroic theme in order to emphasize that Batman is, and should be, a very street-level hero.
Anyway, everyone's free to disagree. But I think we can all agree that, at the very least, this will put the awful Schumacher films out of people's minds. Which can only be a good thing.
|
 |
 |
 |
 |
|

|  |
 |



 |
 |
 |
 |
 |
 |
Christian Bale is an excellent Bruce Wayne, but his Batman sneers and snarls too much.
See, that worked for me because I thought it was all part and parcel of Bruce sort of inventing the Batman persona as he went along. He's doing it all for the first time here, and it makes sense that he'd err on the side of overdoing rather than underdoing it, especially when it came to things like disguising his voice. (If we get a sequel and Bale hasn't toned it down, I may have to eat my words, but until then, that's my story and I'm sticking to it.)
That's what I liked best about the movie -- that tense, improvisational feel of the Batman persona and legend taking shape right then and there. I loved the bit where he jumps off the roof for the first time after talking to Gordon, bangs himself up and limps back to Lucius, going "Uhm... I need a glider or something." Loved Gordon improvising the Bat Signal at the end, too.
Totaly with you on the horrible editing of the fight scenes, though. Why the hell do action directors keep doing that? Does anyone actually like it? One of the things I really appreciated about Mr. and Mrs. Smith was that they *didn't* do that.
|
 |
 |
 |
 |
|

|  |
 |

 |
 |
 |
 |
 |
 |
It's been many years since I've seen Mask of the Phantasm though I plan on rewatching it very soon, having just finished last night the first box set of Batman: The Animated Series, and while I agree, from my memory, it's a great movie, I also remember as it's narative drowning in flasbacks (I remember the joke my friends and I had of it "This flashback reminds me of the time I was having a flashback"). I remember not being as trilled as I wanted to be with it.
The Animated Films...all of them, Phantasm, Sub Zero, Batwoman, Worlds Finest, and Return of the Joker are all levels of good (and all availaile at Deep Discount DVD now for an extra 20% off for the next week with secret code). Kevin Conroy is the ultimate in Batman voices...same with Hamil as the Joker (and who's name is at least in concideration...though I doubt serious contention...for the part in Batman Begins Again..or whatever lame title they give it).
BB --couldn't be happier with it.
|
 |
 |
 |
 |
|

 |
|
|  |
 |

|
 |
|
 |